Arundhati Nag reflects on the changes in the theatre scene since the inception of Ranga Shankara 20 years ago. She discusses the shift in perceptions towards theatre, as it is no longer seen as exclusively for intellectuals. Nag believes that Ranga Shankara has played a role in altering how people engage with theatre, with more individuals attending weekday performances. She shares her observations on the evolution of the theatre community, highlighting some groups pushing boundaries while acknowledging areas for improvement. Nag expresses pride in the achievements of Ranga Shankara, recognizing the ongoing pursuit of ambitious goals. Despite facing challenges over the years, she remains dedicated to realizing the venue's vision. Nag also comments on the growing divide between traditional and contemporary theatre practices, emphasizing the need for unity in the theatrical landscape.States like Gujarat, Bengal, and Karnataka, among others, collectively represented an anti-colonial voice that emerged concurrently. As in many countries, urbanization in India is widening the gap between traditional and urban theater, reflecting a global trend worth monitoring. With its rich diversity of languages and forms, India must strive to preserve its cultural heritage for future generations.
A snapshot from 2004 captures the inaugural performance at Ranga Shankara. Over the past two decades, the number of theater groups in India has doubled, indicating significant growth in the industry. While this expansion has attracted more young and amateur artists, efforts are needed to promote theater attendance as a trendy activity that can cultivate an appreciation for the art form.
I have immense respect for individuals who generously support the arts with no strings attached. Their unwavering backing provides hope and reinforces the importance of nurturing artists in society. It is crucial for civic communities to ensure the survival of artists and encourage the pursuit of artistic dreams.
Arundhati Nag believes in exploring diverse avenues without reservation. Though today's youth are open to experimentation, she sees theater as a promising field for the future. Unlike cinema, which can be costly, and television, which often lacks depth, theater offers a unique platform for artistic expression and cultural exploration. Attending theater productions, featuring renowned actors like Shabana Azmi and Naseerudin Shah, allows audiences to deepen their understanding of their heritage.
Amidst rapid global changes, maintaining a spirit of generosity and a commitment to excellence is paramount. Reflecting on her experiences, Arundhati Nag emphasizes the need to embrace new opportunities and strive for artistic brilliance.I hope that the essence of Ranga Shankara remains evident even after we are no longer here. It should embody a spirit of generosity, a commitment to excellence, and a large-heartedness. Pure generosity may be seen as naivety, and focusing solely on excellence may lead to snobbery. Striking a balance between the two is truly invaluable. Arundhati Nag and the late Girish Karnad were spotted engaging with literary figures at the venue.
